Tuesday, November 25, 2008

Thanksgiving Week: Early Lurker Thursday Edition



Hello everyone! Since I'm getting an early head start on the holiday week, and I won't have the same time to post to my blog, I definitely want to make sure I give you all an early Happy Thanksgiving shout out for Lurker Thursday!

Please post your holiday greetings, and enjoy the week! :)

Monday, November 24, 2008

Because This Song is So Catchy...

It's now my signature song, and say what you will about Ms. Beyonce (excuse me, Mrs. - singing about being a "single lady" - heh), she rocked it out at last night's American Music Awards.


Saturday, November 22, 2008

After the Storm: My Review of Trouble the Water (Spoilers)


It was a truly exquisite moment in the film. Kimberly Rivers Roberts (aka Black Kold Madina), aspiring rapper, wife, and community leader who narrates her story of surviving Katrina, breaks out to do an impromptu performance of her rap song, "Amazing." She spits out lyrics that could teach our young feminists and other progressive liberals a thing or two about intersectional analysis - from the ravages of poverty and inner-city violence to how this creates her gendered experience to how this is all tied to the larger national politics of the Hurricane Katrina aftermath. Needless to say, at the end of her performance, many of us in the audience applauded. And, I, in response, have been looking to get a copy of her CD, available through Born Hustler Records.

Trouble the Water, a new documentary that won the Grand Jury Prize at this year's Sundance Film Festival, directed by Tia Lessin and Carl Deal, the producers behind Bowling for Columbine and Fahrenheit 9/11, gives us raw footage of Hurricane Katrina, as offered through the lens of Kimberly and her husband, Scott. Kimberly, you see, had the foresight to document on a digital camera her experience living in the Ninth Ward during this monumental storm, and so she provides us with a glimpse of neighborhood life before the hurricane struck, as well as footage of the storm and the dangerous waters rising high and threatening her life as well as those who sought shelter at her house. We are privy to this insider/survivor story, while news coverage segments create a dissonant dialogue of this recent historic moment. What amazes me, watching this film, is how a documentary can both reinforce and explode stereotypes. Kimberly and her husband Scott are, for all intents and purposes, "thugs," who have dealt drugs, dodged police, and bailed out relatives in jail. Yet, there is no denying their heroism when they rise to the task of saving lives and caretaking for the children, the elderly, and the disabled in their community. A powerful scene included one of these neighborhood guys, who used a drifting punching bag (!!!) to help rescue neighbors who were trapped in the attics or roofs of their home. This, when regular service personnel were no where to be found. Her own brother "Wink," had his own harrowing experience of surviving the storm in prison, where guards and prison wardens pretty much abandoned inmates (who were chained and trapped) to fend for themselves.

Kimberly and Scott also provide footage of the destruction of the Ninth Ward, their own attempts to leave New Orleans - and resettle in Memphis, Tennessee - and their return, when they eventually become grassroots activists and workers, aiming to rebuild their city and advocate for the dispossessed and disenfranchised. While watching this film, I recalled how angry I was when this tragedy unfolded, and I could not help but see this documentary as an indictment against the past eight years of an administration that did showcase to the world how much they really don't care about "government for the people, by the people." As Kimberly herself says at one point: "We lost our citizenship."

The Hurricane Katrina disaster was only three years ago, but films like this one remind us that we must never forget. I applaud Kimberly, her husband, and her community for having the courage and the memory to tell this story. I applaud the directors for being willing to broadcast this story to the rest of us. There is much more work that needs to be done in New Orleans and the Gulf Coast, especially in light of our tanking economy. But, the film ends on a powerful scene of black rage and jazz heritage, protesters marching and dancing a second line, reminding us that this community needs rebuilding, restoring, and reclaiming. For more on this film and what you could do to contribute to Katrina relief efforts, please visit the film's official website.

Thursday, November 20, 2008

Lurker Thursday

*waves*

Photograph: "First Snow" by are you my rik?

Tuesday, November 18, 2008

First Lady Michelle Obama and the "Body" Politic

Because, apparently, her behind has become a subject for discussion!

See, for example, Mark Anthony Neal's "Is Michelle Obama's 'Ass' Off Limits?":

At the crux of Erin Aubrey Kaplan's humorous and cute Salon.com essay, "First Lady Got Back," is the simple admission that Michelle Obama--and by extension the
First Family Obama--represent a "realness" that hasn't existed in Washington
political circles in some time. Indeed in a society in which the notion of "fitness" has become not only a market unto itself but a mode of regulation that defines what bodies are "fit" to represent the American body politic, Michelle Obama's body invokes a realness that is both refreshing and affirming--in the way that that Propel Water commercial from a year ago (the one with the healthy sista strolling the streets getting her walk on to the gaze of male celebrities). But that doesn't mean that Kaplan's piece doesn't conjure a more troubling view.


Read in Full.

Sunday, November 16, 2008

Why Black People Are Homophobic



I do find it troubling that of all the racial groups polled, [black people] had the highest percentage approving the proposition. There is an incredible amount of racism here and now to work on; but equally there's a considerable amount of homophobia in the black community to work on.
- Anonymous Commenter

I must admit that, despite my call over the weekend for all people - especially all marginalized people - to come together and join in the national protests against Proposition 8, which occurred this past Saturday, November 15, I was angry about the latest cover of The Advocate, the premier LGBT magazine, which asserts as their headline: "Gay is the New Black: The Last Great Civil Rights Struggle." The headline article, by Michael Joseph Gross, did a fair assessment of current struggles for marriage equality and same-sex rights under the law, and how "race-baiting" does nothing to build meaningful coalition work among marginal communities. He rightly argues that the African American civil rights movement is one that other social movements have much to learn from (and to compare to), however I do take issue with this part of his argument:


On a deeper level, though, the gay civil rights struggle is about preventing
discrimination based on our proclivity to love, as distinct from the messier
foundation of racial discrimination, which primarily has to do with protecting
white privilege and wealth. No one would deny that fear of mixed marriages
significantly inhibited the progress of the black civil rights movement. (Blacks
won employment and voting rights a full three years before the Supreme Court
finally struck down miscegenation laws in 1967.) But love and sex were not, as
is the case with gay civil rights, unambiguously the heart of the matter. This
is the reason our progress has been slow: Love cannot be understood in the
abstract. You cannot understand it until it touches you or you find your way
into its orbit.


While Gross makes a provocative point, I'm inclined to disagree with the proposition that "love and sex were not at the heart of the matter" when it came to struggles for racial equality. You see, here's the thing. Slavery and Jim Crow Segregation were designed to exploit the labor of black people. In order to do this without mainstream moral outrage, one had to use Racism to justify why these people deserved to be held in chains or discriminated against or rounded up and confined to urban ghettos or rural shacks across the tracks. But, the story does not end there. In order to convince the populace that racism is an ideology worth supporting, sexuality was mobilized to ensure this ideology and underlying foundation of this nation would be supported. Institutional Rape ensured an increase in slave labor, and miscegenation laws enabled segregation so as to easily demarcate the slave/"colored" populations and the control of white wealth and privilege. White heterosexual patriarchy created a distinct hierarchy along racial and gender lines that punished white women who didn't align with the heterosexual ruling class by marrying and reproducing the white race; black men were brutally punished if they desired or got involved with or reproduced with white women; and black women lay open to all sorts of men (and women) who exploited their vulnerable positions. When I say sexuality was a tool and a weapon of white supremacist heteropatriarchy, I am refusing to use an euphemism like "love" when I want to talk frankly about "sex." Sexuality colored our collective oppressions, and our perception of sexuality is still preventing the LGBT community's access to equality with heterosexuals.

It's because of this complex, intersectional history why I'm still pondering a comment left by an anonymous poster on my What Will Whiteness Mean in the Obama Years? post. This poster rightfully commented that, no matter how wrong certain liberals have been in scapegoating African Americans on the Prop 8 vote, we still need to challenge homophobia in the black community. And, yet, I feel the title of this post needs some clarification and complication. First, I am not making blank suppositions that all black people are homophobic, when I know that is not the case. However, there is no denying that a prevalent anti-gay attitude does exist in black communities, and we all need to take account of it. We must also be able to distinguish such attitudes from the way they manifest in other communities since our sexual histories have shaped such attitudes. Yes, many black churches (and mosques) preach homophobic views, but religion is only part of the story.

Well before LGBT communities were targeted for violence, ridiculed, or deemed to be sexually "degenerate," well before they became organized communities, the label of sexual deviance was placed on black people. By virtue of the color of their skin, or being descendants of Africa - a netherworld to which Europeans attributed every exotic and sexual fantasy - black people were routinely eroticized and sexualized. This treatment was perpetuated under slavery, and while our brothers love to talk about how black women were routinely raped, it's easier to talk about black women's sexual victimization than their own. Yet, same-sex rapes also occurred, and I'm not just talking about the rape of black male slaves. Historian Nell Painter, in her biography of Sojourner Truth, mentioned that Truth, a celebrated historical figure, was sexually abused by both her master and her mistress. And, yet she did not have the language to name this outright. But, who did in the Victorian nineteenth century, an era which Gender Studies scholars recognize as the beginning of the invention of homosexuality? Fugitive slave Harriet Jacobs, in her autobiography, Incidents in the Life of a Slave Girl, could only hint at the rape of a male slave (the same way she hints at her own), when she describes poor "Luke" who was "chained to the bedside of his master," who subjected him to "strangest freaks of despotism."

And, yet, despite this sexual oppression, can we imagine that enslaved black lesbians and gays did exist? That, despite such humiliations and suffering, they still found a way to love? Can we imagine such love taking place across color lines? Or, as James Baldwin once wrote, is this impossible since "love between unequals is always perverse"? When sexuality becomes a weapon to justify racism, which further justified economic oppression, how does this complicate our worldview and the way in which we can articulate a social justice movement that honors same-sex rights?

I am certainly not offering history here as an apologia for prevalent homophobia in black communities. But, I do think we need to consider the intersections of race, class, gender, and sexuality to begin to dismantle attitudes, roadblocks, and barriers that have kept marginal groups divided. After all, post-emancipation, there was a reason why the first thing freed slaves wanted to do was reunite with their families, forcibly separated during slavery, and why they married in droves. There's a reason why the romance of the heterosexual family, who in turn serve as a powerful symbol as the backbone of every community, is so powerful. So powerful, in fact, that it has become imperative for LGBT communities to fight for marriage equality today. The romance of marriage and family is the romance of acceptance and respectability, and every marginal community has fought for that acceptance and respectability because of the belief that this is the key to equality. And, there must be some truth to this for why were white supremacists so opposed to black families that they worked hard to keep them broken down? There must be some truth to this, for why are heterosexists working overtime to prevent lesbians and gays from gaining full access to marriage, and all the economic, social, and cultural benefits that accompany it?

Black people's sexuality has been attacked for so long, that church, family, and community have been a refuge. It's a difficult thing, then, to give up the romance of the heterosexual nuclear family by supporting what has been preached to them as "sin." This "family" is supposed to protect our respectability and our acceptance. A significant number of black people whom I've come across, keep harping on how proud they are, not only that Obama was elected, but that he had his black wife and children with him. I am quite sure that unified heterosexual family portrait signaled something else for LGBT communities in California, Florida, and Arkansas (where they also lost the right to adopt children), who lost their right to marry the same night this First Family was embraced and celebrated.

And, yet, this same First Family has been on the receiving end of many death threats, despite this acceptance, which suggests that certain privileges and power - which are preserved for white heteropatriarchy - are now being powerfully contested. What is a powerful symbol for one group is a threat for another.

Somehow, if we can begin useful dialogue on this subject, we must acknowledge the complicated histories and realities of our present. As I've already said, love and sex are at the heart of the matter, and while queer communities have made several strides in helping us, as a nation, to talk about sexuality in the open, to recognize same-sex desire in our culture, and to even discuss life-and-death issues, such as safer sex and condom use in the wake of the HIV/AIDS pandemic, less strides have been made in black communities. Whenever sexuality is policed in our society, black people are the barometers on which sexuality is discussed or regulated. Black sexuality is what gets mobilized to address our sexual fears or desires. The silences around sexuality in black communities are staggering, which account for high STD and HIV rates and ignorance around same-sex issues. The romance of the heterosexual nuclear family has been as powerful a symbol today as it was for our newly freed slave ancestors. This symbol promises freedom and protection, while never really offering it. You see, that's where feminist theory would tell a different story, when it comes to marriage equality. Yet, our earliest feminists were not listened to when they proclaimed that "marriage was slavery," or, later, that "all heterosexual sex is rape" (a heavily circulated misquote by Andrea Dworkin, who really was only trying to deconstruct the problem of sex and sexuality as an arena for liberation when so much of our systemic oppressions begin with the sex act). Had they been listened to, both straight black and white LGBT communities might have to rethink what marriage equality really means, but that's a different subject altogether. Especially when said feminists never made the right intersectional connections to complicate our views on marriage.

In an essay, "The Last Taboo," Paula Giddings wrote that, collectively, black people never had a sexual liberation movement of their own. That, had we taken sexuality as seriously as we do race relations, we would be much further ahead in tackling the different gender and sexuality issues plaguing our communities. This would also mean viewing issues like same-sex desire from a different perspective.

There is still so much work to be done, and at some point, all groups will have to begin talking about sexuality as one more link in the chain of oppression, shoring up the power and privilege of certain groups while denying access to others.

Saturday, November 15, 2008

Numerous Race Threats and Crimes on the Rise in the Wake of Obama's Election

Received this in an e-mail today:

Obama Election Spurs "Hundreds" of Race Threats, Crimes (from The Huffington Post):

Cross burnings. Schoolchildren chanting "Assassinate Obama." Black figures hung
from nooses. Racial epithets scrawled on homes and cars.

Incidents around the country referring to President-elect Barack Obama are dampening the postelection glow of racial progress and harmony, highlighting the stubborn racism that remains in America.

From California to Maine, police have documented a range of alleged crimes, from vandalism and vague threats to at least one physical attack. Insults and taunts have been delivered by adults, college students and second-graders.

There have been "hundreds" of incidents since the election, many more than usual, said Mark Potok, director of the Intelligence Project at the Southern Poverty Law Center, which monitors hate crimes.


Read in Full.

Friday, November 14, 2008

National Protests against Proposition 8 This Saturday, November 15

Please join in the national protests against the passing of California's Proposition 8 this Saturday, November 15. For more information on protests in your local area, please visit Join the Impact.

For those who still don't get how all of our oppressions are connected, I invite you to hear the words of Jamaican-American spoken-word lesbian poet, Staceyann Chin:

Thursday, November 13, 2008

Lurker Thursday









Gosh! It's already Lurker Thursday! Is it just me, or is this week going by quickly?

Drop in, and say hi! *waves.*









Photograph: "New York" by geoff.greene

Wednesday, November 12, 2008

Using the Obama Example to Inspire Students to Do Better

It's November, and 'tis the season for trifling students to stop in during office hours to beg for extra credit and other concessions to make up for shoddy work now that the semester's end is nigh. Those of you who are instructors, you know what I'm talking about.

And yet, who knew that I had a powerful arsenal in bringing up President-Elect Obama to actually inspire students (especially students of color) to step up their game? Here's one scenario:

A black female student stops by my office, requesting advice from me, her mentor, on what she could do to prevent another C on her transcript, since it's so inevitable - she believes - she's getting two C's this semester. She was so resigned to this fate, even though she had set out a goal this semester to avoid getting any grade lower than a C. But, two science classes are kicking her butt. She tells me her tale of woe while donning an Obama T-shirt.

"Have you spoken to your professors about your concern?" I inquire.

"No," she replied.

"Well, if you're worried about your performance, why are you not approaching your professors and finding out how you could do better?"

She simply shrugs.

I offered my example: "You know, I once took a political science course in which I received a C on my first paper. I had just accomplished a 4.0 GPA the previous semester and was soooo not trying to let this one course outside my major sink me. I went straight to that professor [white male] and asked him outright: I don't want another C in this class. What do I need to do to keep that from happening? And, yes, he told me what I needed to do. I didn't get an A in the class, but I did get a B+ and never received another C in the class."

"Really?" my student asked me.

"Now, you say you don't want a C this semester, but what are you doing to keep that from happening?"

She still shrugs. I look at her Obama T-shirt.

"When President-Elect Obama set out to be president of the United States, do you think he just said, 'Gee, it would be nice to president of the United States someday.' Do you think that's how he got elected?"

She burst out laughing but got the point and realized what she needed to do. I intend to trot out his name to two other triflers (both black male students) stopping by this week.

And that's what's so important about having someone like Obama ascending to the most powerful position in the nation and the free world. It's not just being African American; it's also about being a shining example of ambition, determination, and smarts. Finally! An "A" student in the White House! Someone who makes smart look cool, and who you can mention to your students as someone to aspire to be like.

No more "C" students bragging about how "you too can become president!" God, can you imagine?! For many, they can point to Katrina or Iraq or even 9-11 as the first time they couldn't stand W; for me, it was that commencement address at his alma mater, Yale University, when he championed 2.0 students for their shining mediocrity and trifling ways. I can't help it: it's the educator in me who bristled at this nonsense because I have no respect for C students; I think they are worse students than "D" and "F" students, to be honest. At least the D and F students have some pressing issues affecting their ability to learn - either they are completely ill prepared for your course (willfully or not so willfully) or have completely drama-filled lives in which your course is just not a priority so they're failing to make the necessary grade to pass.

With C students, they just don't try hard enough. They do just the bare minimum to avoid the D or the F, but when it comes to pushing themselves to do B or A work, they don't care enough to excel. And that's what I dislike the most. (To any "C" students reading my blog, let me clarify: if you don't think this description reflects you then you need to understand how I grade. If you get a "C" from me, it's because you didn't try hard enough. If you've demonstrated during the course of the semester that you're trying hard, even if the grades don't reflect this, you will get a "B" from me on your final grade. So, when I give out a "C" it's because students have acted in the exact way I'm describing.)

And, if we can judge the past 8 years, we see the kind of weak leadership that comes from a "C" student. This is not about championing "book" smarts over common sense, or even in holding high expectations for Obama's presidency. However, in my years of teaching, especially when supervising student activities and events, I knew better to select the A students for leadership positions. Why would I even choose a "C" student to rise up to a leadership position when they can't even bother to do a good job on their own work? If they can't be motivated to excel for themselves, how can they motivate others to do better?

Why did America (or rather, 50% of Americans the second time) think a "C" student was qualified for leadership? Being "smart" matters, and as one New York Times' op-ed, "War on Brains," expressed, it's time to re-evaluate intelligence and intellect as something to be proud of, rather than something to hide. At least, I have hope that I can point to a "smart" black man who inspired millions worldwide last Tuesday as an example for students, and I'm amazed to say it's taken us a long long time to be able to do so. Many shifts took place, and this is one we must not overlook.

Tuesday, November 11, 2008

Feminist Reflections on President-Elect Obama

Please see reflections offered by Beverly Guy-Sheftall, June Cross, and Courtney Martin from the Women's Media Center.

See also Alice Walker's Thoughts. As an aside, how cool to see my literary heroes joining us in the blogosphere! :)

Monday, November 10, 2008

Miriam Makeba, Legendary South African Singer, Has Died

I received the sad news today that legendary South African singer, Miriam Makeba, who became a cultural symbol for the freedom struggles against apartheid, died last night at age 76. She suffered from a cardiac arrest, after performing in Italy.

As sad as this news is, how amazing to know she died doing what she does best. It is definitely shaping up to be a music news day here on my blog. She will be missed.

For more information, please see this New York Times article.

For a sense of her artistry, please see this video:

Glimpses of Vocal Prowess: My Review of David Archuleta's Standard CD


David Archuleta brings out the Roberta Flack in me. From the first time ever I saw his face, back in February, I declared to the world that I had a crush. Little did I know that, nine months later, it wasn't going away-ye-yay-ye-yay-ye-yay-ye-yayyyyy! Because his voice is killing me softly with his many songs, and since I'm a grown woman, I can only imagine how he's slaying the young'uns.

While many of us who discovered David on American Idol can identify the one song that made us "believers" in his talent (for many that would be his performance of "Imagine," for others - myself initially - that would be "Heaven"), I would have to identify a moment more than an individual cover. That moment for me was Top 3 week, when idol contestants were given two songs to sing - one from the judges, the other from the producers - and then chose their own song. That week, Paula Abdul gave him some ancient and obscure Billy Joel song "And So It Goes," a song about an aged man who looks back on his life with regret at the many heartaches he's had and hoping that he wouldn't be so jaded as to not open his heart for new love. Yep, that's the song that Ms. Abdul thought a fresh-faced 17-year-old, who has admitted in interviews that he's never had a serious relationship, was going to be able to cover and translate the pain of love.

Not only did David step up and deliver in spades, his voice haunted me that entire week. That the producers gave him the "gooey" insipid ballad, "Longer," by Dan Fogelberg to interpret, was a clear sign of sabatoge, but being the good little trooper that he is, David managed to turn that lemon into lemonade. He had no choice, after those songs, but to choose a current song, and so he selected Chris Brown's "With You," which many thought he performed awkwardly (it was the disconnect in seeing this cleancut Rocky Mountain boy singing urban lyrics like "hey little mama," "shorty," and "I need you boo" that threw many off). Still, it was undeniable, to me at least, that - when taking all three songs together - David illustrated his incredible gift to dig deep into a song and let his gorgeous voice do the work of translation. The combination of Chris Brown and Dan Fogelberg also showed that he could sing anything (from contemporary R&B to schlocky crap) and sound good. As Randy Jackson was fond of saying, "Dude, you could sing the phonebook, and it would be good!" (A gimmick that TRL reenacted when both David Archuleta and David Cook were subjected to a phonebook-singing contest.)

So, knowing this about David's vocal prowess, I bring my ears - already predisposed to love anything coming out of his mouth - to his self-titled debut album (which will be available in stores on Tuesday, while bonus tracks in addition to the 12 tracks on his standard CD, are available on the itunes download). I'm not surprised that other reviews have started pouring in, describing the album as "generic," while others don't deny his immense talent as an accomplished singer in all his 17 years. However, if there is any reviewer whose opinion I respect, it would be Rascal at Noting David, someone who takes David's artistry seriously and who laments that "much of this production treats its eponymous star like an ingredient rather than as the main course." I'm inclined to agree with this, but only to a certain extent. You see, this view underestimates the power of a vocal musician, which is what David is, even if - from what others have reported about his early attempts at breaking into the music scene - he was encouraged to play an instrument and write songs to become a "real artist" (Whatever...does that mean musical geniuses like Billie Holiday, Judy Garland, Frank Sinatra, et al, who only sang and didn't play instruments or write songs, are not "real artists"?)

Yes, many of the tracks are over-produced, but if you've been paying attention to current pop music, that was inevitable. There really is no point in musicians even trying to "Rage against the Machine." The stroke of a musical genius in this current age is learning how to subvert the machine oh-so-subtly, and I think David does that here. Take my favorite track on the CD: "Barriers." It is clearly the most over-processed song on the album, and what I absolutely adore about it is the way you can hear David literally shouting to gain authority over the syncopated beats and the mixer, which tries to subvert his voice by producing an "echo" of it during the chorus - really, as Rascal says, treating this singer like one little ingredient among many. But, you hear him struggling and ascending on the song so that it's his voice that guides the melody and the harmony. And the irony of the "echo" is that it merely reinforces the vocal master that David is on the song. Take that, Machine!

It's a rather dissonant song, which blends a dash of reggae with some R&B and pop rock touches. And yet, for me, it works and shows off what David does brilliantly (I'm digging the bridge especially because he strains for some high notes and adds some fascinating runs - a vocal style he has admitted learning from black female vocalists, like his idol Tamyra Gray from season 1, and Natalie Cole, both of whom he gives shout outs to in his liner notes, a style that has been identified on American Idol as "diva"). As non-diva as David's personality seems to be, he brings the "diva" on in his songs. Which is another way of saying that David brings the "soul." And you hear it in his runs, his melisma, and his falsettos, which come in unexpected places.

For someone who represents a kind of cleancut innocence, a number of songs on the CD are just straight up angst with a touch of melancholy, which perfectly matches the "heartache" that his crystal-clear voice can register and recall. It's something Rascal calls "an underlying melancholy, symbolized by that cry in his voice; the feeling that in grace lies an awareness of suffering." Another reviewer calls it "tortured-soul whisper-singing, angsty bellowing in an echo chamber and quivering falsetto." This is felt in two different songs, "Desperate," a cover song that offers an emo-like rock sound, and "To Be With You," a soft ballad that captures that tortured longing for his life to begin and for love to find him and wake him up to the promise and the hope. It can also be heard in the catchy "A Little Too Not Over You," whose bridge shows off David's falsetto the most beautifully.

Lest we forget that this mature-sounding singer is only 17, certain tracks are shamelessly added for the teens and tweens: most notably his popular, near-platinum-success single, "Crush," and "Touch My Hand," a cute and fun rockish sounding pop ode to the girl in the audience to whom David is singing. I understand this will be the second single, which, unfortunately, doesn't do much to establish David beyond his teen heart throb image. I'm sure it will do just as well as "Crush," which is the bottom line for record labels, but if they wanted to branch out and give David a new sound and mature image, "Barriers" or "Desperate" would have done the trick. I have hope they will be released as singles in the near future.

Some of the tracks are pretty generic - "My Hands" and "Don't Let Go" come to mind - but some have some really catchy melodies, like "Running" and "Your Eyes Don't Lie." I personally am disappointed that there is just one other new ballad, "You Can," since few of the tracks really allow David's vocals to shine and be the main feature. But, at least, his ballad anthem to his "Arch Angels" fanbase, "Angels," closes the collection, and it truly is an impressive piece of soaring vocalization.

As a debut album, its success lies in creating a bit of distance from David's persona on American Idol and in showcasing that he can fit easily into the current music scene. My problem with that logic is: David, as far as I'm concerned, is a cut above current music artists, and it would be nice if his label showed that level of knowledge, musical intelligence, and respect for who he is. That David brings his A-game with his beautiful voice, singing incredibly on one vocal chord, mind you, means that I expect record producers to meet him half-way. As such, the result is a B+ album (and the plus is mostly David). However, he's only 17, and I expect him to do much more - possibly peaking at age 25, when most male artists do, with an album that perfectly aligns him with the right producer and songwriter/collaborator. Right out the gate, Jive hooked him up with several different producers and songwriters, without thinking much of creating a coherent sound and collection, not to mention David had so little time to really focus on this album while touring 50+ cities during the AI concert over the summer.

Still, considering that, under such circumstances, a less capable singer would have been disastrous and less adept at selecting the right songs, David has nothing to be ashamed of here. At the very least, it shows great promise for his next and subsequent efforts in later years. And, of course, on a more superficial level: that CD cover is destined to make many fangirls (and fanboys) swoon.

Update Nov. 13, 2008 - now that I've heard all the bonus tracks - "Waiting for Yesterday," (the falsetto is chill-inducing!), "Falling," "Let Go," "Somebody Out There" (David Unplugged!), and "Works for Me" - they're such a throwback to awesome music (very Stevie-Wonderesque), I wonder about his label's decision-making skills in not selecting these for the standard CD. However, I have zero doubts about David's musical talents (most of these tracks were co-written or solely written by him). This boy is going to shake up the music world very soon! I promise you.

Sunday, November 9, 2008

What Will Whiteness Mean in the Obama Years?

The price the white American paid for his ticket was to become white - and, in the main, nothing more than that, or, as he was to insist, nothing less. This incredibly limited not to say dimwitted ambition has choked many a human being to death here: and this, I contend, is because the white American has never accepted the real reasons for his journey. I know very well that my ancestors had no desire to come to this place: but neither did the ancestors of the people who became white and who require of my captivity a song. They require of me a song less to celebrate my captivity than to justify their own.
--
James Baldwin, "The Price of the Ticket," 1985.

When patriarchy dismisses us, it encourages our murderers. When radical lesbian feminist theory dismisses us, it encourages its own demise.
--
Audre Lorde, "Open Letter to Mary Daly," 1978.

I offer these reflections from two of our deepest thinking and sharpest critics in mid to late-20th-century America: intellects who identified as both black and queer. I think of their words, for I cannot help but wonder (since I deeply respect both figures) what they would make of President-Elect Obama. I think of their words because I am deeply curious about what they would have thought about these historic elections alongside the discouraging vote cast for Proposition 8 in California, which now bans same-sex marriage. Setting aside, for the moment, that neither Baldwin nor Lorde strike me as the types who would ever find anything liberating about the institution of marriage, I still think they would have some insightful comments about the homophobic fallout in the wake of Obama's victorious ascension to the U.S. Presidency.

And, yet, deep down, I know that what they have said in the above epigraphs is sufficient to shed light on what is inherently wrong with the public rhetoric that has emerged since our historic elections: that, despite the significant barriers that have been broken on November 4, 2008, old ones still need tearing down, and NO, this is not about our racial triumph in the face of sexual discrimination. The rhetoric, once again, masks racism through comparative oppressions - the prevailing misrepresentation of how the black vote, and also the Hispanic vote, supported anti-gay policies on the day that black history would be irrevocably altered.

I can only imagine, if they were alive today, what Baldwin or Lorde would say to their white gay brother or sister, marching through the streets of LA, with signs like "Gay is the New Black." Or even what they would say to the minuscule number of black Californians who did support such anti-gay measures. And, even though many people of color harbor homophobic views, they are not alone.

I've encountered far too many white people in my classes and elsewhere who feel completely at ease spouting off anti-gay rhetoric, not to mention the number of white gay students, who've shared harrowing experiences of being victims of hate crimes (their perpetrators are usually white). Yet, due to the Negrophobia that has been nursed in too many white communities, I've had the same students ask me to confirm their deepest fears that black people really are more homophobic than white people. To which I always respond with: "Last time I checked, it was white people who killed Matthew Shepard and Brandon Teena."

So, why the scapegoating of people of color in the white gay community?

While I unhesitatingly condemn the people of color (and the overwhelming majority of their white counterparts) who refused to protect gay rights, I take issue with slogans such as "Gay is the New Black," which commits a number of offenses.

Offense #1: It presumes that, because we made significant racial progress through the election of Obama, somehow racism has been conquered while homophobia has not been. Obviously, racism hasn't been conquered, or that slogan would have never emerged in the first place.

Offense #2: Such a slogan is designed to pit two marginal groups against each other, conveniently ignoring the fact that certain fundamental religious organizations whose congregations are overwhelmingly white were instrumental in enacting Proposition 8 in the first place. And, going back to the numbers, we can throw around statistics like 70% all we want, that number of black votes was not significant enough to affect the vote. Sounds like a whole lot of "divide and conquer" rhetoric in the media, which all marginal people should question why it was important to disrupt the unity that was so evident last Tuesday night. At a departmental party that I attended last week, a young white lesbian tried to raise the issue, but an older white lesbian, who had sufficient memory of civil rights struggles, told her to not lose sight of how important this historic moment was. That, yes, that other battle persists, but let's not forget to celebrate this moment. And, I am very disappointed that a number of white liberals and radicals so quickly moved away from the celebratory mood to start playing the blame game. As Baldwin would say: "The price of the ticket." Which leads me to:

Offense #3: Presumed whiteness. The very fact that "Gay is the New Black" can position gayness in opposition to blackness is to completely erase and exclude black gays and lesbians, who include people like James Baldwin and Audre Lorde. "Gay" is supposed to represent whiteness, and, suddenly, as Baldwin wrote, "They require of me a song less to celebrate my captivity than to justify their own." This comparative oppression model fails to understand intersectionality and has set up a simplistic dichotomy of "All the Gays are White, and All the Blacks are Straight." As black lesbian feminist Barbara Smith would add: "But Some of Us Are Brave." But, obviously those who composed the slogan haven't read enough theory by gays and lesbians of color; otherwise, how could they construct such a divisive stance? Which brings me to:

Offense #4: Where is the coalition-building? Why is the mainstream gay community - as opposed to more marginal gay communities that have built interracial and multiracial relationships - constructed around whiteness? After all, where would that community be without the contributions of black queer culture, including the black and Latino "queens," who were targeted for police brutality and whose resistance set off what we now know as Stonewall, a watershed moment in gay and lesbian history? Yet, today's rhetoric erases their involvement. Rather than pitting white gays against straight people of color, where are the gays and lesbians of color to knock sense into both groups? Why dismiss this key group? As Lorde already warned her lesbian sister, Mary Daly: "When radical lesbian feminist theory dismisses us, it encourages its own demise." The same idea applies here.

Beyond the offensive rhetoric that has emerged post-election, I am reminded not so much that racism persists (and I assume we all knew it would) but that whiteness and the parameters around it have not shifted in any significant way. Yes, a large number of white Americans voted for a black man to be their president. But, does this action necessarily change what they understand about whiteness and the privilege and power that come with it?

It was obvious, during the presidential campaigns, that both Hillary Clinton and John McCain assumed they could rest on their whiteness to win. Why else did they think all they had to do was remind America how black Obama was? Or, how his name isn't Anglo or Christian-sounding? Now, an important group from the Left are mobilizing a similar racial rhetoric, which relies on whiteness - and its binary construction against blackness - to address their concerns.

Like McCain and Clinton's campaigns, this too is shortsighted and destined to stall us from moving forward in any progressive way. This is not the way. When people of color are dismissed from social movements, those movements will fail.

If any thing, this kind of discourse is an important reminder that, just like the Obamas promise to redefine blackness in our nation and throughout the world, it is now just as urgent to redefine the meanings of whiteness.

For another perspective, please see PBW's Propositioning Privilege.

Saturday, November 8, 2008

My Meditation on This Historic Week

UPDATE: Not sure why the embed video is saying it's no longer available, so please try this link to see the video.

What started out as a post soon turned into my amassing of several historic images, which I later reworked into my very own You Tube video.

I've titled it "The Long Journey to November 4, 2008":

Thursday, November 6, 2008

Lurker Thursday: Special Edition


Hello everyone! I'm just getting back from an out-of-town trip, so I'm now getting time to update my blog.

It's Lurker Thursday, so I invite you to share your reactions to this historic moment.

My next post will be a more detailed account of my reflections on this historic week.

Have a great day! :)

Tuesday, November 4, 2008

History Has Been Made Tonight: Anybody Else Crying Right Now?

Obamamania around the World!

Monday, November 3, 2008

Protect Your Right to Vote

It's been a long presidential campaign, and it all comes down to tomorrow, November 4, 2008, Election Day.

Whatever the results, and whoever you wish to vote for, please protect your right to vote.

Remember that you have the right to take time off from work to vote, that you cannot be turned away from the polls if you are already in line, by the time the polls close, and that - should you find your name not on the list of voters - you have the right to a provisional ballot.

Some hotlines and voting centers are already in place to ensure that you are not disenfranchised.

NPR has set up a Twitter Vote Report for you to report any voter fraud incidents.

You may also call 1-866-OUR VOTE for the same purpose.

Kudos to PBW for providing a detailed post on your voting rights.

Voting is the major tenet of our democracy, so please exercise your right to vote and protect that same right to vote.

Keeping my fingers crossed, my toes curled, and my prayers constant, and, of course, I will do my part to safeguard democracy!

Sunday, November 2, 2008

Election Watch Party Planner

Funny how I started my Sunday with such high hopes for the Presidential Elections. Now, I'm back to my "anxious" self, now that reports are revealing that the race has "tightened" in the battleground states (even with McCain gaining a slight lead in Ohio). Duuuuude!

There was no "October surprise," W. didn't pull Osama bin Laden out of hiding. There was no major shift this past week, yet, suddenly McCain is now gaining on Obama's tail? What gives?

A friend from the "baby boomer generation" says simply: the "Undecideds" have started to make up their minds, and perhaps McCain's smear campaign of fear, xenoxphobia, and racism is starting to work. A friend from "Generation X" says to remember Elections 2000. She's sure these new polls are all part of an elaborate plan for the GOP to steal the vote.

Do I dare to hold on to hope? To have the "audacity of hope"? To imagine that we, as a nation, will not let an opportunity to make history (and no, Sarah Palin doesn't count for me) pass us by? Would we really retreat at such a moment?

So, because of these new anxieties laced with my persistent hope, I'm definitely wavering on an invitation I received to attend an Election Watch Party. Honestly, if Obama loses, I don't feel like being at a party to witness it. But, if he wins, oh the celebration! :)

I have students who have already made plans for a trip to D.C. so they could be there for Obama's inauguration. I told them they were jumping the gun, so I will be praying that our high hopes don't crash and burn.

In the mean time, I've been wondering how a Party Planner would begin to make arrangements for something as crucial as an Election Watch Party, where Obama supporters would be over the moon if he rode to victory but wallowing in the depths of despair if he didn't. If I were such a planner, I would have to order double in preparation for the mood:

The Obama Victory Party:

1. Appropriate decorations that reflect a nice multiracial mix - perhaps something that resembles the wedding party in Jonathan Demme's new film, Rachel is Getting Married.
2. Enough Champagne bottles so we could all be bubbly way into the wee hours.
3. A DJ whose playlist mixtape offered the right kind of hooray!

Playlist:
- Stevie Wonder's "Signed, Sealed, and Delivered," (Obama's campaign theme song).
- Will.i.am.'s "Yes, We Can" DJ-based dance mix, (just cause).
- Ludacris's "Obama is Here" DJ-based dance mix (cause I hate the song played straight otherwise, but you know, we'd be in a good mood so it would be tolerable).
- Cocoa Tea's "Barack Obama" (cause we definitely need some reggae).
- Kool & the Gang's "Celebration" (cause every victory party should feature this anthem).
- From there, a cool mix of disco, funk, old-school hip-hop, dance tunes, etc. should keep everybody in good spirits for the rest of the night. :)

But, if Obama loses, Oi!!...

The Obama Defeat Party:

1. Black drapery decoration should be on hand, ready to be draped over all the festive colors and balloons.
2. Enough whiskey bottles so we can all drown out our collective misery.
3. And, of course, a DJ whose playlist mixtape is ready to set the mood for this outcome:

The Playlist:
- Whitney Houston's "Didn't We Almost Have It All" (cause this cheesy ballad will only make us feel worse).
- Sam Cooke's "A Change is Gonna Come" (cause this is definitely one of the saddest Civil Rights song there is, and with enough Gen-Xers who have memories of hearing it for the first time in Spike Lee's Malcolm X, just before Malcolm was gunned down, it would be pretty poignant, dont'cha think?).
- Roy Orbison's "Crying" (cause we'd be crying at this point).
- Louis Armstrong's "What a Wonderful World" (cause we'd definitely need some irony, and nothing like Louis to deliver this in spades).
- The Five Stairsteps' "Ooh Child" (after irony, we would definitely need some uplift, and nothing like this little ditty to do the trick!).
- From there, the music has to gradually get more upbeat and more optimistic, because we would have to strategize about how to survive the oncoming economic recession and the stark reality that America's racism, inevitably, trumped all of our other fears. In other words, we can't just wallow in whiskey and misery. We would have to regain our strength and mobilize our resistance against the right-wing onslaught.

Let's hope our Election Watch Party Planners only have victory parties to plan for. Better yet, shouldn't we plan our parties for the weekend and just have an Election Results party instead? That way, we'll already know if we need to celebrate...or attend a pity party.

Rock the Vote!

This is just a Sunday morning reminder to get out the vote come Tuesday!

I'm waiting Tuesday morning to do my civic duty, but I must say, I'm getting a warm, positive, and hopeful feeling, what with the record number of early voters! :)

Say it with me now: YES, WE CAN!

Keeping my fingers crossed, my toes curled, and saying my prayers.

Call it an endorsement, if you will, but here are some videos to get us all in the right mood.

Yes, We Can



American Prayer