Of all the black female figures in history, Harriet Tubman (c. 1820-1913), aka Araminta Ross, has always struck me as the one whose life story would make an awe-inspiring, spine-tingling, impressive cinematic venture (if done properly). In fact, we should all be questioning, after all the great movie epics and biopics of great historical warriors treated on screen - Braveheart, Alexander, Troy, 300, Lawrence of Arabia, etc. - why we have yet to see just one American movie (that's right, take note: start checking out some foreign-language films like Quilombo or The Last Supper), just one! of a great black warrior. (And, Nooooooooo, I do not count Spielberg's Amistad, in which Cinque, who led a revolt on a slave ship - courtesy of unchained black female captives, who helped free the men since the women were often unchained so that the ship's crew could easily access their bodies - spent the duration of that movie in chains, in captivity, at the mercy! of an American court system of all things.)Granted, I can already hear some of you - now that I brought up the example of the movie Amistad - tell me that no way, no how, should anybody working in Hollywood even touch Harriet Tubman's story. That, if they could reduce one of the bravest, most admirable African warriors like Cinque into a chained "noble savage" lifting his arms in that typical abolitionist tableaux - Am I Not a Man and a Brother? - crying, "Give us free! Give us free!" (I'm still shuddering at the image), what wouldn't they do to Mrs. Tubman?

Obviously, the issue isn't just why Tubman's story hasn't been made into a movie epic, but how such a movie could be made that was sincere to her radical, militant vision (did I use the words "radical" and "militant"? Yes, I did). While I'm pleased to see that Tubman has been "safely" transformed into a historical figure that we can teach the children at elementary school every Black History Month, I would like the grown-ups to take her history seriously at some point. I do believe there are many children's books that feature her, which of course should make us question why a Disney animation has yet to tackle her story: But if some of you would be sickened at the sight of a cuddly yellow North Star singing a spiritual-like melody while Harriet Tubman journeys on her way North to freedom, or better yet, at an entourage of little forest animals cracking various jokes in "ghetto" slang during her trips on the Underground Railroad, perhaps it's for the best.
Can we take seriously the life of an enslaved girl, who at age 12, refused to collaborate in the punishment of another slave and was subsequently injured, the results of which were violent seizures that made her a disabled person (albeit, she took strength in this affliction through visions and spells) for the rest of her life?
Can we take seriously the life of an enslaved woman, who found her way out of the "hell" that she called slavery and then found her way back into hell numerous times, to lead an estimate of 300 slaves into freedom, often times by holding a gun to their heads to urge them on the journey?
Can we take seriously the life of a woman, who led a posse of other woman through the streets of a Northern city to get a fugitive slave out of jail?
Can we take seriously the life of a woman, who wasn't above "shucking and jiving" as a ruse to camouflage the different secret trips she made on the Underground Railroad?
Can we take seriously the life of a woman, who would have accompanied John Brown and his guerrilla band of men to Harper's Ferry had she not taken ill at the time and, might I add, whom many believed they would have been more successful had they had such a woman, who knows a thing or two about guerrilla warfare, among their ranks?
Can we take seriously the life of a woman who led one of the most successful all-black military victories during the Civil War at the Combahee River in South Carolina?
And on top of all these activities, she took the time to adopt a little girl (whom she found in the wake of the great war), marry twice, and live to a ripe old age in her 90s.
So, these are some of the highlights of her life, all poised to be framed for jaw-dropping scenery with some good sound cinematography, art direction, costume design, sound mixing, visual effects, and some fine solid acting and direction. Tubman, who loved to tell stories about her life, I'm sure would appreciate a good cinematic adaptation had she lived during our era.
While I agree there aren't too many folks working in the movie industry at present who are up to the task (maybe Kasi Lemmons or Julie Dash could do a good direction, with Don Cheadle producing), I will say this: if you're interested, give me a call. Perhaps I should get working on a screenplay! :)
Most recent biographies on Harriet Tubman:
Humez, Jean M. Harriet Tubman: The Life and the Life Stories (University of Wisconsin Press, 2003).
Larson, Kate Clifford. Bound for the Promised Land: Harriet Tubman, Portrait of an American Hero (Ballantine Books, 2003).


15 comments:
I agree that HT's life is worthy of a major bio-pic. Of course there was the 1970s partial bio film that was done starring Cicely Tyson, but it was not sufficient for such a gigantic life story and did not include the John Brown episode. It's hard enough to get a decent film about Brown done; seems like that's only going to take place because a novel by Russell Banks was successful. These are themes that the U.S. public are either too lazy or too indifferent toward. To my mind, HT should have her own monument in Washington, her own major movie, and she should be on our money instead of slavemasters and racists. I say go ahead and write your screenplay, you never know. Good luck.
Is it simply a matter of laziness or indifference, or is it because the movie industry has already shaped movies that deal with race relations and slavery in such a way that we have to radically alter the way those stories can be cinematically told?
After all, I have very little hope for anyone in the film establishment to do an adequate representation of either HT or JB, not when they have made AND celebrated the likes of Birth of a Nation and Gone with the Wind.
When those clearly racist epic movies set the tone (not just in terms of production but themes), one has to go against the grain to even conceptualize an alternative cinema.
I was half-joking about the screenplay, but since you're wishing me luck, I guess I should take myself more seriously! :)
ABW, Yes! I think you could! Good luck w/the screenplay.
re:Disney, lol it could be worse, they could make it cartoon and animals INSTEAD of humans.
Oh Lord, Miriam! A cartoon about Harriet Tubman based solely on animals?! What would the premise be? Animals trying to escape a zoo? (Haven't they done this story before?)
Yeah, they did it with the animated movie "Madagascar," and before that, "The Lion King." But that's Disney for you. You know it's hard for animators to draw black folks WITHOUT making them look like sambo caricatures. Can you say "Fat Albert?"
I do not think that anybody should touch the life of Harriet Tubman cinematically. None of these big-wig movie directors or producers can do it justice and you definitely do not want a novice mucking up such a great legacy. Everything doesn't have to be entertaining. If people want to know about a great figure's life, why not read?
mari-djata, I like movies as much as I like books. Which is why it dawned on me that a great movie epic has yet to be done on a black historical figure of the calibre of Harriet Tubman. I agree with you that none of the present Hollywood folks are up to the task of doing a masterpiece film on her, but you've got to admit - if done properly - it would be one heck of an inspiring story! :)
Harriet Tubman is, undoubtedly, the single most admirable and fascinating person--and a black woman, at that--whose stories I've ever encountered. I've felt that way since I first read about her, in a compilation of "Black Women in the Struggle," when I was six years old. Her story stuck out to me more than any other in that book then, and it still sticks out to me now--which is exactly why my USC thesis screenplay, which I've been working on since last August, is based on her life and exploits. I felt exactly as you do--that woman's feats are certainly as notable and as worthy of the silver screen as are the protagonists of the many other epic films we've seen released over the years, if not more. She's definitely the most active protagonist I've ever heard of, and she deserves to be celebrated as such. That said, it's so refreshing to read this post. I'm in the middle of my second draft, and the story gets stronger everyday, but I'm realizing there's no way that it will please everyone. There's no way to do justice to her upbringing and her entire list of accomplishments in creating a cohesive and captivating screenplay--she's simple too amazing. In the past few months, I've read her every biography, in addition to conducting tons of other research; but I've definitely taken advantage of dramatic license, in a way that I hope doesn't detract from or direspect the reality, in choosing to focus on the central story of her dedication to get her family to join her in freedom. There's no mention of John Brown, and her role in the Civil War has been reduced to a note in the concluding scroll. But my hope is that my end product will be one captivating enough to command the attention of filmmakers and film audiences at some point in the future, while maintaining the integrity that any story about Harriet Tubman can't help but inspire. Just wanted to let you know that I'm working on it; so maybe, someday soon...
Memphis, thank you, thank you for sharing! I'm so glad someone somewhere is doing this important work!
I hope your screenplay gets developed for the big screen and not for some TV miniseries drama. :)
u kno.. i completely agree with you.. especially in regards to the Amistad thing.. honestly things like this never occured to me before. but frankly, i dont think hollywood WOULD make a bio-flick on this wonderful woman. if we take a closer look at the representation of powerful historic women that have been represented in hollywood, they have all had a sexual appeal, and ultimately controlled by men like that is our down fall... classic example Elizabeth. although she was arguably the greatest monarch of england, look what she went through to get this status. she didnt marry, yet during her early years, she was openly sexual, and surrounding her as her advisors were men. not that i have anything against men... God bless their souls, but they wont make a movie about Harriet because everything she accomplished, she did without the help of man. she was the stronger person. her first attempt for slavery she went with her brothers, they wanted to go back because they were scared. and as we know, she did eventually make it, but she went without her brothers, and in fact went back for them on one of her many escapades on the Underground Railroad.
if a movie was made about Harriet, it would make the american public have to acknowledge the hardships of slavery, especially those faced by a woman, thus acknowledging their still rampant racist tactics. im sorry if i offend anyone, but this is just the thoughts and views of a YOUNG BLACK WOMAN, a PROUD DAUGHTER OF THE DIASPORA. im not racist, it just pisses me off at peoples blatant refusal to see the truth.
ps. disney would never do a movie about harriet, real or cartoon... reason.. look at the cartoons produced by disney even as late as the 70's... notice anything.. blackface possibly... portrayals of black as evil... black people resembling monkeys.. the watermelon patch.. sound familiar..
writing a scripr about tubman would like to talk to you
I think it's awesome that you think there should be a movie on her life. I was just thinking about that before I even came to this blog. My church ministry is getting ready to do a "magic house" instead of halloween. One of the characters they are thinking about including is Harriett Tubman and I'm suppose to play the part. I'm sure this will be a great experience for me.
Email or blog any comments back to me Thanks
I'm so glad I found this post. It's great to know that others feel the same way I do. I said for years that she deserves this, and a few months ago, I finished my screenplay, and actually got a response from a producer! I'm just hoping that following in Tyler Perry's wake, the people controlling the money can see that black cinema is a viable investment.
I hate to reduce HT's life story to dollar signs but that's exactly what Hollywood does!!
I don't think it is a matter of laziness or indifference. The powers in Hollywood make what they think people want to see not what we actually want to see. And less that 5% of Hollywood execs are black, which leaves the other 95% to figure out what black cinema is. Sorry don't get me started down that road!
Anyway back to the her story--
Memphis, I too was captivated by her story ever since a report I did in the fourth grade. The hardest thing for me was deciding what to include and what to exclude. I don't want to upset anyone especially those that admire her the way I do.
Her life was so full that a Roots-like miniseries seems like the only way to tell her entire story, but I want her to have shot at an Oscar. Maybe I'm being extremely optimistic but I'm tired of seeing stupid black films that represent us as sluts, druggies, or sambos!!
I have a completed screenplay, a dramatization, on the life of Harriet Tubman titled, They Called Her Moses. I had the great good fortune to be introduced to Dr. Kate Clifford Larson. Dr. Larson's book had not yet been published so she kindly answered my questions and cleared up my misconceptions over the phone and by emails. If made correctly, the film would be an epic. Tubman's legacy is formidable and her effect on the American psyche would also be formidable. I continue to send out the script with hope that it will be recognized by people with the right intentions. Regarding directors, I have also considered Euzhan Palcy (A Dry White Season). She has great scope and sensitivity.
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